Place: Festival Society Halls
The Cervino Award is an award established in 2000 by the Societat de Festers del Santíssim Crist de L’agonia (“Sociedad de Festeros”). This award is given annually and is meant to recognize and to honor individuals or entities that have contributed significantly to The Ontinyent festival of Moors and Christians (“The Fiesta”), either through their activities, research o General support for the festival.
The name of the award pays tribute to Joaquín José Cervino, a 19th century Supreme Court Judge and writer of Spanish romantic literature, he was also the author of The Speeches of The Ambassadors (Representatives) of the Moors and the Christians, which since 1860 have been read outloud during The Fiesta. These texts are an essential part of the festivities and have great historical value and cultural for the city, having been declared part of the ceremony of The Representatives, where The Speeches of The Ambassadors are read outloud and have been declared an Asset of Intangible Cultural Interest by the plenary session of the Consell de la Generalitat Valenciana (Council of The Government of the Autonomous Community of Valencia)
The Cervino Award is presented at a ceremony that takes place at The Main Hall (commonly called The Casino) of the Sociedad de Festeros. The election of the winner is made by the Governing Body of the Sociedad de Festeros, which assesses the candidates’ contributions over time. Among the winners are people, entities and associations that have demonstrated a remarkable commitment to the preservation and promotion of the traditions of Ontinyent.
ROUTE: PL. CONCEPCION, GOMIS, MAYANS, PL. MAYOR
The act of the Publication of Festivities takes place on the last Saturday of June; it consists of a parade in which the following participate: a child and the Primer Tro* of each troupe, dressed in their gala dress; a bearer of the banner of each comparsa with the daily costume; the captains, ambassadors and flag bearers of the previous year and those of the current year; and the president and representatives of the Governing Board of the Society of Festeros, accompanied by different music bands.
*(literally, “First Thunder” they are the representatives and coordinators of each Troupe)
The parade ends at the foot of large wooden castle, in a Plaza Mayor crowded with people waiting for the “magic words”:
From the castle that presides over the square, the secretary of the Society, escorted by the Primers Trons and children, calls the standard-bearers of the different comparsas so that the president and mayor impose the accrediting medals on them.
Then, the captains, ambassadors and the flag bearers of last year, will carry out the protocol of the transfer of office, handing over to their namesakes for the current year the arms, text and flag.
The President and Mayor then say a few words of festive exaltation to the audience, both ending with the expected phrase:
“Dames i cavallers: Estem en Festes!” (“Ladies and gentlemen: We are in Fiestas!”)
A band of musicians then plays the anthem of Ontinyent, which is sung by all those present. The act is then finished.
The meaning of the Publication of Festivities:
In times past, with instability in all fields – when diseases were capable of decimating the population; when the local economy was affected by both the scarcity or excess of rainfall, when there was political uncertainty and war – the Publication was not just another day of celebration; it was not only music and parades in the streets; it meant much more; It meant that that year there would be parties and that the comparsas that took part in it -and only those- would be the ones that would participate in the imminent parties.
Nowadays, when we enjoy a certain economic and political balance and the Publication is an expected act announcing the the beginning of The Fiesta.
SITE: PL. MAYOR
The presentation of the poster of The Ontinyent festival of Moors and Christians, emerges as a transcendental moment that marks the official beginning of the celebrations. Located in the epicentre of the city, in the majestic Plaza Mayor, under the watchful eye of the imposing castle that presides over the festivities, this event becomes a spectacle of emotions and traditions that unites all citizens in the same festive spirit.
After the vibrancy of the Publication’s parade, the stage is preparing to receive the great moment: the unveiling of the official poster. With palpable expectation and beating hearts, citizens congregate in the square, eager to witness the unveiling of the image that will symbolize the spirit of the festivities. With an infectious fervor, the sounds of festive music and the murmur of the crowd intertwine, creating a vibrant and energetic atmosphere.
When the poster emerges before the expectant gaze of everyone, a unanimous ovation is unleashed that resonates in every corner of the square. It is a moment of pride and shared emotion, where the cultural richness and identity of Ontinyent is celebrated. Beyond being a simple image, the poster stands as a symbol of unity and belonging, reminding us of the importance of keeping our traditions alive and celebrating our history and legacy together.
The climax of the event comes with the interpretation of two hymns that resonate in the hearts of the people of Ontinyent: the Moorish march or “Chimo” by José María Ferrero Pastor, a venerated emblem of our festivities and the anthem of the city by Rafael Martínez Valls. Imbued with history and fervor, these melodies infuse the festive atmosphere with a sense of identity and pride rooted in the community. As Chimo’s notes sound, the festive spirit reaches its peak, reminding all present of the greatness of our traditions. Then the anthem of Ontinyent rises in a unified chorus, uniting all the attendees in a feeling of gratitude and love for our beloved city. It is a moment of communion and celebration, where music connects us with our deepest Ontinyentine essence, thus marking the end of an act that endures in the memory as a tribute to our roots and our community.
ROUTE: Mayor Paco Montés intersection with Dos de Mayo, Dos de Mayo, Glorieta de los Moros y Cristianos, PL Concepción (Until Músico Úbeda street)
The Alardo is an integral part of the Moors and Christians festivities in Ontinyent. This event is not only reminiscent of old military parades, but also pays homage to the rich history and tradition of these celebrations. In this festive context, the four troupes that hold the positions of Captain, Ambassador and Flag Bearer of both the Christian and Moorish sides, come together to revive the spirit of camaraderie and joy that characterizes these festivities.
At midnight, under the glow of the moon and the exalting festive music, the comparsas parade with elegance and vigor, it is in this magical moment where the city becomes a stage of color and splendor, where history mixes with celebration, and where the spirit of brotherhood and competition is intertwined in an enchanting dance.
The Alardo is not only a spectacle for the senses, but also a tribute to the vibrant culture and traditions that make the Moors and Christians festivities of Ontinyent an unforgettable event.
SITE: Caixa Ontinyent Cultural Center assembly hall
The presentation of the festival book is an event that brings together a large number of people to reveal the details and the program of activities of the Moors and Christians festivities. This book is a detailed compilation of the history, the scheduled events, as well as the presentation of the main actors of the festival. It includes historical articles, chronicles of past events, as well as a complete guide to planned activities. The presentation is made in a formal act, where the main protagonists of the festivities, local authorities and the population in general are invited. This event symbolizes the countdown to the beginning of the big days of our Moors and Christians festivities.
As for the promotional video of the parties, it is another key piece for the promotion of them. With it, it seeks to capture the essence of the festivities, highlighting the parades, music and traditions that characterize the Moors and Christians of Ontinyent. This audiovisual material not only serves as a promotional tool but also to attract visitors to the city.
In summary, the presentation of the festival book and the promotional video are crucial moments in the festive calendar of Ontinyent, serving as a prelude to the celebrations and helping to consolidate and spread the rich tradition of the Moors and Christians of Ontinyent.
SITE: LATONDA SQUARE
The Infant School Squadron Leaders is an initiative organized by the Society of Festeros which is aimed at training the youngest in the art of parading as Squadron Leaders in the Moors and Christians festivities. The main purpose of the school is to teach children the skills necessary to perform as Squadron Leaders, an essential role in the Moors and Christians parades. The Squadron Leaders oversee the movements of the squads during the parades, and their performance is crucial for the success and showmanship of these celebrations.
Thus, on this first day, the foundations are laid for rigorous but rewarding learning. It is the beginning of a journey that will transform the participants into worthy and capable Squadron Leaders, ready to face each other with skill and determination to guide their respective squads.
SITE: LATONDA SQUARE
On the second day of the Leaders’ Infant School, small defects are corrected to polish the performance of each one, understanding that perfection is achieved through constant practice and attention to detail. A crucial aspect of this day is the synchronization between movements and music. To the rhythm of the Moorish march, Christian march or pasodoble, the instructors give precise indications on how to adapt the movements to the beat and melody. This harmony between music and movement not only enhances technique, but also instils a sense of cohesion and camaraderie in each squad.
SITE: LATONDA SQUARE
The third day is the exciting and long-awaited culmination of the Infant School Squadron Leaders. With determination and enthusiasm, the young Squadron Leaders execute each move with precision and pride, exhibiting all the skills they have acquired during these three weeks at the school. With applause and admiration, the diplomas are presented to each of the attendees, thus marking a moment of celebration and recognition of the effort and dedication of these young talents.
SITE: Esplanade of the Hermitage of Santa Anna
Atop a small hill from where our beloved city can be seen, stands the Hermitage chapel of Santa Ana. It is here, under the sky embraces our longings and the whispers of the wind that surrounds us. Here the Morenet* dwells eternally, radiating his light on our lives and our festival of Moors and Christians.
*the affectionate name given to the Image of Christ in his Agony
In front of the Hermitage is the wide esplanade (parade ground), the solemn meeting place for the Mass in honour of our patron saint. It is a moment of reverence and devotion to the One who guides our steps in each celebration. Under the sky that still retains the freshness of the morning and the aroma of damp earth and pine resin that permeates the air, we stop in silence. It is in this moment of calm that we close our eyes and raise our prayers seeking his blessing.
SITE: Square of Baix
The official rehearsal of the embassies is a crucial moment in the preparation of the Moors and Christians festivities of Ontinyent. Throughout the year, the ambassadors dedicate countless hours to perfecting their diction, the strength of their words, their gestures, their movements, etc., in rehearsals carried out without the presence of an audience. However, the day of the embassy rehearsal marks a significant milestone: it is the first act where spectators can witness the result of the effort and dedication of the participants.
Until 2022, this important rehearsal was carried out on the esplanade of the hermitage of Santa Ana, where the ambassadors met to fine-tune every detail of their representations. However, in 2023, the decision was made to move the rehearsal to the Plaza de Baix, creating an even more vibrant and festive atmosphere, attracting a large attendance of people eager to witness this unique show. For the ambassadors, this rehearsal with an audience represents the culmination of months of hard work and anticipation.
For Ontinyent, the embassy rehearsal is an exciting event. It is a time to celebrate tradition and culture, while enjoying the impressive performances of the ambassadors before a dedicated and enthusiastic audience.
ROUTE: Pl. de bajo, Pl. Sant Roque, Pl. Mayor and Pl. Latonda
The history of this dates to the beginning of our Moors and Christians festivals in 1860, being forgotten during the turbulent days of the beginning of the civil war until 1991 when it was rescued by the group of Farmers. Since 2008 It has been celebrated on every Friday before the Great Week of our festivities.
The dance consists of seven distinctive musical pieces: a polka, two jotas, a waltz, an andante, a Valenciana and a final gallop. Each of these pieces embodies the rich cultural heritage and festive spirit of the Valencian people which tends to attract a large audience to view this exhibition of charm and grace.
The dance route begins in the Plaza de Baix, at the doors of The Casino of the Sociedad de Festeros, where the dancers, all members of the Comparsa de Llauradors, begin the interpretation of them. Then, they advance along Calle de la Trinidad to the Plaza de San Roque, where they continue with the dance, and then go to the Plaza del Mayor and repeat the dances in front of the imposing castle that is installed on the façade of the old Town Hall. The itinerary culminates in the Latonda square, where the last movements are executed by the dancers, thus marking the end of the traditional dance of the farmers.
SITE: Casino of the Society of Festeros
On the Saturday before the Big Week of our festivities, the Board Officers, Primer trons and other members of the board of governors, all of them dressed in the daily costume of their respective troupes, together with the Municipal Corporation embark on a significant journey to the centennial institutions of the La Beneficencia (or Santo Hospital), the La Saleta and the San Francisco nursing homes, three refuges steeped in history, affection and humanity. In a gesture of deep respect and closeness, they carry with them the essence of the festival to share with the residents and their loved ones the emotion and joy that characterize our Moors and Christians. In each of these venerable institutions, the passage of visitors becomes an avalanche of happiness, where smiles multiply to the rhythm of the emblematic Moorish and Christian marches, thus symbolizing the union and diversity that define the spirit of Ontinyent.
The envirooment in each of them is impregnated with a unique atmosphere, where tradition and affection are intertwined in a comforting embrace. Shared memories and intertwined stories weave a blanket of complicity and warmth, reminding us of the importance of family and community ties in our lives. Between the walls impregnated with experiences and learnings, the immortal verses of Cervino resonate, like an echo of eternity that joins the liveliness of the present.
In every gesture of affection and in every word of encouragement, deep respect and gratitude is shown for those who, with their dedication and example, have left an indelible mark on the heart of Ontinyent. This emotional and meaningful gathering reminds us of the importance of valuing and honoring the memory of our elders, as well as cultivating the sense of community and solidarity that unites us as citizens.
SITE: Hermitage of Santa Anna
In the serene atmosphere of the Hermitage of Santa Ana, every year an act of profound significance takes place: Intercession Mass for deceased festival-goers. When the sun begins to tint the horizon with its golden tones, the echo of the shells resonates the air, announcing to the population the beginning of this emotional encounter.
On the esplanade of Santa Ana at the doors of the hermitage and under the watchful eye of the Morenet are the Captains, Ambassadors, and Primer Trons, the Governing Board of the Society and the Municipal Corporation, as well as a large number of faithful to attend the celebration of the Holy Mass. all united in prayer and remembrance.
The act takes place with solemnity, marked by the soft notes of sacred music and the comforting words of the parish priest of the Royal Parish of San Carlos Borromeo and religious advisor to the Society. In this mass, prayers are raised in honour of all the festeros who, although physically absent, remain alive in the collective memory of the entire community. It is a moment of reflection, praise and gratitude to all those who contributed with their joy and dedication to enrich our Moors and Christians festivals.
Intercession Mass for deceased festival-goers is more than a religious act, it is a tribute full of emotion and respect to those who were a fundamental part in the history of our festivities. In this space of recollection, the community unites in a gesture of love and recognition, keeping alive the flame of their memory in every prayer and in every heart that beats to the rhythm of the celebration.
SITE: Festeros Society Halls
After the mass of the dead, we move to The Casino of the Sociedad de Festeros, where the tables are arranged and conveniently identified. With sufficient anticipation, the capacity has been distributed proportionally to the number of components of each comparsa; because the capacity of the premises, despite being large, does not manage to satisfy the demand that exists on the part of the festeros.
After sharing a piece of bread and typical foods of the area, the words of the president of the Society of Festeros arrive, who, one by one, tells us about the festeros who died during this year. The throat becomes a knot, the eyes become moist. A loud ovation from all the attendees serves as a link between the pain of memory and the joy of the present. It is time for the imposition of badges and medals. The secretary of the Society appoints, one by one, Captains, Ambassadors, Flag Bearers and PrimersTrons and, publicly, before the general joy and accompanied by the chords played by the music band, the mayor and president impose the corresponding accreditations.
Finally, it’s time for the awards; the recognition of the Sociedad de Festeros to the work and festive life of a particular person; recognition that is usually secret, so the effect on the person honored and their closest environment is much greater. The reason for its name lies in the fact that we quickly went from tears of pain for the absent friend, to tears of emotion for the friend who this year holds a position or has been a recipient of public recognition for a life dedicated to the Fiesta.
Significance: This is a unique act in the Moors and Christians festivities anywhere in the world, in which, as we have described above, you go from sadness to joy in a matter of seconds, since you share the sadness for the loss of the deceased, but also the joy for this year’s charges, who are officially appointed with the imposition of insignia on captains, flag bearers and ambassadors. Distinctions will also be given to the festeros deserving of public recognition through the Primer Tro d’Honor or silver badges.
This authentic and endearing event has been held since 1956 and because of its originality, the Sociedad de Festeros has initiated a request for the procedures to be declared an Asset of Cultural Interest (Bien de Interés Cultural (BIC)).
SITE: Main Square
That same night, on the third Sunday of August, in the Plaza Mayor, in front of the incomparable setting offered by the illuminated castle, this act takes place.
Stage and people wear their best clothes; The evening promises to be spectacular. Let’s imagine a cocktail party with the following elements: a prestigious dance group, a magnificent music band and a composer; if we also imagine that each year the representation is different, the music has been composed specifically for tonight and that the dance group, band and composer are from Ontinyent, it is easy to reach the conclusion that we will end up getting drunk with Fiesta.
Then, captains, ambassadors, flag bearers and primers trons are officially presented to the audience. Finally, it is the speaker’s turn; the person who has had the honour of being appointed this year will reel off his proclamation: he will praise the festival, he will talk to us about this year’s positions, he will share festive experiences that, in turn, will remind us of ours.
SITE: Main Square
Since its inception in 1984, The children’s Squadron Leaders Contest has established itself as an outstanding moment to highlight the role of children in our Moorish-Christian festivities. In its early years, it was celebrated the week before the Big Week of our festivities, considering its location in front of the premises of the Society of Festeros and in the afternoon. But since 1993, this act has been moved to the Plaza Mayor.
It was in 1994, that it found its day, being celebrated on the Monday of the Big Week, although during this period the schedule of celebration varied since it could be in the afternoon or at night. From 2002 to the present day, the contest shines even brighter as it takes place under the starry blanket of night, adding a special charm.
This event, held at the foot of the majestic castle of Moors and Christians, attracts an enthusiastic crowd. Twenty-four little people, between boys and girls, divided equally between the Christian side and the Moorish side, wear the elegant gala costumes of their respective troupes. To the rhythm of Moorish marches, Christian marches and pasodobles, the little ones evolve with grace and skill together with their squads, as well as show their skills with the sword, the sabre, the truncheon or the razor, captivating the large audience that fills the square.
Once each participant has demonstrated their skills in leading and evolving the squad, it is time for the jury to deliberate. This is made up of the Captains, Ambassadors, as well as the Flag Bearers and the twenty-four Primers Trons who evaluate not only the technical skills, but also the passion and commitment of each contestant with their troupe and with the tradition they represent.
It is a moment of joy and camaraderie, where childhood becomes the star of the event, reminding us of the importance of preserving our traditions for generations to come.
SITE: Main Square
The festival concert by the Ontinyent, All for Music Symphonic Band stands as an emblematic event in the festive calendar of Ontinyent. With the majestic Plaza Mayor as a stage and the presence of a dedicated crowd, this concert is a manifestation of Moorish-Christian art and culture that unites the community in a bond of shared emotion.
Led by renowned guest conductors, the band’s musicians deliver sublime performances that elevate the festive spirit to new heights. The presence of the Captains, Ambassadors, Flag Bearers, as well as the Primers Trons and the Municipal Corporation, adds an air of distinction and solemnity to the event, highlighting the cultural and traditional importance of the festivities.
The Plaza Mayor, crowded with enthusiastic spectators, becomes a sea of emotions where music flows in harmony with the heartbeat of the city. It is a time to celebrate the togetherness, joy, and pride of belonging to a community that values and promotes artistic excellence. The concert by the All for Music Symphonic Band transcends the merely musical to become a symbol of identity and tradition rooted in the heart of Ontinyent.
ROUTE: La Concepcion Square, Gomis, Mayans, Main Square. After the entrance of the bands, the Moorish march “Chimo” will be performed in the Town Hall Square.
It is the Thursday before the fourth Sunday of August. It’s mid-afternoon. The entire promenade of the Plaza de la Concepción is full of musicians dressed in their gala uniform. They are the official music bands of each of the twenty-four comparsas. The parade begins. Each band has carefully rehearsed the festive pasodoble that it has chosen for this act and now it is time to prove it. The time has come to show off.
For more than two hours, musicians and bands parade with pasodobles through the streets of Gomis and Mayans in Ontinyent in an exciting traveling concert. The groups of the different Moorish-Christian troupes dress in their best clothes, displaying a frenetic rhythm that culminates in the Plaza Mayor, which gradually fills up during the event.
Competition is mixed with unity, since in the Entrance of Bands you can listen to difficult, recent, little-known and even unpublished pieces of music. The level of the scores and performances is becoming more and more noticeable as the event progressed.
The Sociedad de Festeros, the organizer of the event, introduced the contest, endowed with economic prizes for its winners. The official bands of each comparsa are divided into two competition sections to guarantee fairness. The competition has music bands that have more than 35 musicians in their line-up and others with less than 35 members. Throughout the tour, a specialized jury evaluates the musical formations considering the difficulty, tuning, sonority, interpretation and uniformity. The maximum score a band can get is 200 points.
Once all the musical groups are in the Plaza Mayor, the bands finish their entrance, but the musicians, instead of leaving, are conveniently placed, depending on the instrument they carry, in the upper part of the square, the climb known as the Regall.
All the bands have entered. The square, the streets that lead to it, the balconies; everything is full of people. The Society’s secretary introduces us to this year’s guest conductor. It is located above the decking. He raises his arms, baton in hand. In the square there has been silence. More than a thousand musicians are waiting for the baton. He lowers his arms, and everything is filled with harmony. It is Chimo, the most international Moorish march. For Ontinyent it is the anthem of festivities. All of us, together, shoulder to shoulder, sway to the beat of his notes. A mixture of feelings invades you: joy, excitement, jubilation, joy, euphoria… It is impossible to remain impassive.
As every year, in the same main square and to the rhythm of the same Moorish march, Chimo, more than 1,000 musicians playing in unison, under the attentive listening of the crowd gathered to capture the magical moment that moves neighbors and visitors. This unique event brings together 25 musical groups from all over the Valencian geography in a show of camaraderie and talent. A thunderous explosion of sound stops time in the heart of Ontinyent. Emotions on the surface, memories evoked, goosebumps, there are no words to express it. This is Ontinyent, this is something you must experience.
An explosion of sound that gives you goosebumps year after year. This is one of the most eagerly awaited, events of the Moors and Christians festivities.
Multi-layered and unique.
This second part of the event was born as a spontaneous tribute to its composer, José María Ferrero in 1987, the year of his death due to a tragic traffic accident. That year, after the entry of the music bands of Ontinyent, they jointly performed the Moorish march Chimo as a tribute to the Maestro directed by his son Daniel J. Ferrero Silvage. After a one-year hiatus, in 1989, it was performed again as a commemoration of the XXV anniversary of the march and was consolidated as an official act of the Ontinyent festivities, on the one hand, as a memory of the figure of the author, but above all as a recognition of festive music and music bands. It has undoubtedly become an essential part of the program that kicks off the most important days of the Moors and Christians. It is a unique event in Ontinyent, in which the organizing entity is working for the recognition of its value and cultural significance.
For all those who cannot enjoy it live, they can do so at the Museu Fester, through an audiovisual project that allows an immersion in the joint interpretation carried out by the musical groups that participate in the Moors and Christians Festivities of Ontinyent. It is an initiative that makes it possible to move to the Plaza Mayor and stand in the middle, now when ‘Chimo’, the anthem of the Ontinyent Festivities, is being performed.
The national and international projection of the act of the Entrance of the Bands is increasing, being highlighted by personalities such as the well-known international chef José Andrés, who in the 2022 edition publicly showed his admiration for the joint interpretation of the Moorish march “Chimo” at the Entrance of the Bands of the Moors and Christians festivities of Ontinyent, pointing out that “there is always something amazing happening in Spain”.
Significance: Today we have excellent roads that quickly connect us with anywhere. Today we all have a vehicle. Today all the bands -with some exceptions- sleep every night at home. But if we go back fifty years, the lack of roads and vehicles made it necessary for musicians to “live” in Ontinyent during the holidays.
All the bands arrived on the precise day at the appointed time and, what better way to enter the town, to introduce themselves to the people, than doing the best thing they knew how to do: performing a parade performing a festive composition.
ROUTE: Av. Almaig, Av. Daniel Gil, Roundabout of the Moors and Christians, Concepción Square.
After the entrance of bands, musicians and festeros have gone to their respective premises depending on the comparsa to which they belong. Together they have enjoyed a good dinner and are ready to start the Alardos (Boasts (reserves)
Surely, we are facing the act that, at least apparently, has less to do with the Moors and Christians. But usually, all things have their reason.
In the past, the comparsas took advantage of the Saturdays close to the festivities to meet at the country house of one of their members – in the vicinity of the town – and dine on what they themselves prepared. Late at night, they burst into the streets accompanied by guitars, tambourines, saucepan lids and anything capable of simulating a musical instrument. They carried out their parade wearing a straw hat, a rod in their hand and, usually, they rolled up one leg.
Over time, the hat and the cane were replaced by other garments that pretended to be a costume, to become, today, a healthy competition to see who gets the funniest or most impressive costume; This way a mixture is achieved between representing what is most fashionable and a critique of current issues.
This time, already accompanied by their music bands that will perform a piece in accordance with the chosen costume, they will parade through the wide avenues of l’Almaig and Daniel Gil.
ROUTE: From Martínez Valls/Daniel Gil, av. Daniel Gil, Roundabout of the Moors and Christians, Concepción Square, Gomis, Mayans, Main Square.
It is the act of the little ones, of the future of the festival. In strict order of parade, first, the Christian side and then the Moorish side, the comparsas, with their music bands, walk along the Avenida de Daniel Gil and the Calle Mayor to finish at the foot of the castle of festivities. The protagonists are the festeros under 14 years of age. Some parade in a squad, while the little ones do so on the arm of their mothers, mounted on allegorical floats.
This act was established in 1985, due to the proliferation of a large festive mass of members under 14 years of age, and the roots of the festival in the city, it was decided to channel the participation of the little ones in the Festival. A year earlier, in 1984, the Children’s Corporals and Squads competition was created.
Squads, floats, music, ballets and fantasy in which the little ones are the true protagonists, immersed in an explosion of colour, joy, sweets and confetti.
ROUTE: Av Almaig, Av. Daniel Gil, Roundabout of the Moors and Christians, Concepcion Square.
The first begins in the middle of the afternoon, the second already at nightfall.
It is the most multitudinous event. It runs along the avenues of l’Almaig and Daniel Gil, borders the Moors i Cristians roundabout, and ends at the Plaza de la Concepción. Despite the breadth of the itinerary, flanked by grandstands and chairs, it is too small to accommodate the large number of spectators who, coming from all over, watch the passage of the comparsas.
It is the act that requires the most effort on the part of everyone. The comparsas parade in their gala dress, but, in addition, in each of them one or more squads also take part with unique costumes, made for the occasion, which gives it a greater color and exoticism, with dresses that only existed in the imagination of their designers.
Each of the two Entries is headed by the comparsa to which that year corresponds the position of captain, while, closing the act, the comparsa that holds the positions of ambassador and standard-bearer of his side parades.
The four troupes with a charge have been working for more than two years on what they are going to offer to the public that day: fabrics, metals, embroidery, choreographies, musical compositions, designs, clothing, ballets, floats, animals, makeup, weapons, water, fire, (everything has a place in the Entrance of Ontinyent) … and ONE HUNDRED MUSIC BANDS!
Each of the four pageantries, as it progresses, interprets a story; a story that captures the viewer’s attention and makes them feel immersed in it.
It is a spectacle that can hardly be explained in words. You must see it. And every year is different.
ROUTE: Coronacion Square, San Antonio, Capellans, Las Eras, Dos de Mayo, San José, Morereta, San Domingo Square, Mayor Paco Montés, Dos de Mayo, Roundabout of the Moors and Christians, Coronacion Square, Gomis, Mayans, Main Square.
Contrasting with the Entrance. Very early in the morning, the faces of musicians and festeros speak to us of sleep, an image that disappears at the first bars of a pasodoble dianero and small bangers are thrown around the streets. The Diana is a much more intimate act; the festero wears the second costume -also called daily-; the parade starts from the wide Plaza de la Coronación, to quickly enter through narrow streets recently watered, flanked by houses that very frequently exceeding two floors or more; houses with open doors that show us the freshly set table with anise rolls, casquinyols or coca de maleneta, along with a strong coffee or a good glass of fresh water with a nuvolet de cazalla
ROUTE: Concepcion Square, Gomis, Mayans, Main Square
The Contraban takes place on the Saturday morning, after the Diana and after a leisurely lunch.
The Contraban is a dispute between two comparsas, Marineros (sailors) and Contrabandistas (smugglers). The Smugglers try to bring the contraband, which they carry in the saddlebags of their mules or in their carts, into the city, while the Sailors try to prevent it. The event runs through the streets of Gomis and Mayans to the Plaza Mayor; the parliament ends with the Sailors in the castle and the Smugglers at the foot of it. During the route both troupes fire their blunderbusses and arquebuses, producing three stops, in which they exchange a few phrases and continue with the volleys. Finally, the entire contraband genre is distributed among the public. The goods they smuggle in consist of trinkets, trinkets, small toys and the typical “caliqueños” – cigars handmade in a nearby region.
Despite being made by only two comparsas, the tenacity, perseverance and good work of both made it possible that, at the beginning of the eighties -of the twentieth century- it became part of the official program of festivities.
The text used is by an anonymous author; full of bravado and cockiness; all in a jocular tone. We have evidence from a newspaper of the time that in 1871 it was already performed.
SITE:
– Christian side: Ermita De Santa Anna
– Moro side: Calvari De Santa Anna car park
ROUTE: Hermitage of Sant Anna, Stonework, Below Square, Main Square, Gomis
On Saturday afternoon begins the procession of the descent of the Morenet from the Hermitage of Santa Ana to the parish church of San Carlos, where the Image will be kept for the next fifteen days: what the festeros calls “La Baixà” (the lower(ing))
In this act the comparsas fire salutes from arquebusiers (technically blunderbusses (trabucos), short, muzzle-loading shoulder weapons) in front of the patron saint of our Fiesta and thus become heirs to the privilege enjoyed by the old urban militias – like what is seen in Reubens’ “The Night Watch”.
The Christian army is camped on the esplanade of the Hermitage and the Moorish army on the esplanade of Calvary. At five o’clock in the afternoon, captain, ambassador and Christian standard-bearer, accompanied by their escorts, will meet their Moorish namesakes halfway to Calvary; it is the “encaro”; the ambassadors declaim the text that José Mª Royo Mendaza wrote for this time in the year 2000: the Moor warns the Christian who surrounds the town and will not allow him to enter; the Christian replies that he will do it thanks to the help of Morenet. At the end of the brief speech, the captains make arquebusier discharges; it is the signal; In both camps – Cristiano and Moro – the shots multiply.
El ejército moro, precedido de su capitán, inicia el descenso, disparando, hacia la villa; figura que retroceden ante los embistes del ejército cristiano, que avanza disparando, como protegiendo la sagrada imagen que los Anderos llevan sobre sus hombros. A las puertas de la ciudad cesa el disparo y, en el parque del barrio de la Cantereria, se amontonan los festeros; una caja empieza a redoblar; la capitanía mora, en silencio, empieza a formar sus escuadras; la banda de música rompe el mutismo con una marcha sacra; la procesión ha comenzado. Cantereria, Pont Vell, Plaça de Baix, Plaza Mayor y Gomis: es el itinerario que recorrerán una comparsa tras otra; luego la cera y el patrón de la fiesta que, un año más, baja hasta su parroquia para estar con su gente, mientras esta celebra fiestas en su honor.
The Moorish army, preceded by its captain, begins its descent, firing, towards the town. While a figure retreats before the onslaught of the Christian army, which advances shooting, as if protecting the sacred image that the Anderos (pilgims) carry on their shoulders. At the gates of the city the shooting ceases and, in the park of the Cantereria neighborhood, the festeros crowd; a snare drum starts to roll; The Moorish captaincy, in silence, begins to form its squadrons; the music band breaks the silence with a sacred march; The procession has begun. Cantereria, Pont Vell, Plaça de Baix, Plaza Mayor and Gomis: this is the itinerary that one comparsa after another will travel; then the wax and the patron saint of the festival who, one more year, comes down to his parish to be with his people, while they celebrate festivities in his honour.
This event was declared an asset of intangible cultural interest, by DECREE 4/2019, of 18 January, of the Consell. The declaration is inscribed in the First Section of the General Inventory of Valencian Cultural Heritage.
SITE: Daniel Gil-Salvador Tormo intersection.
The city wakes up early on Sunday, to join in an event that is held at the confluence of Avenida Daniel Gil with Calle Salvador Tormo. There, with the stands installed full of festeros and the general public, the traditional campaign mass is celebrated, a tradition rooted in the city. It’s a time to come together, share, and strengthen bonds before starting the holiday with the Diana (Reveille).
ROUTE: It will start from the confluence of Daniel Gil and Salvador Tormo, Daniel Gil, Roundabout of the Moors and Christians, Gomis, Mayans, Main Square.
On Sunday morning, after the campaign Mass, The Dawn Gala takes place – the festeros wear the gala dress. The parade runs through wider streets than the day before, also ending in front of the festival castle. The comparsas participate in strict order of parade, with the exception that in this act the Moorish side is the one that initiates the act. They are followed, in uniform, by the music bands that, with their cheerful festive pasodobles, wake up the people as they pass.
PLACE: Royal parish of Sant Carle
The Angelus is the estimated time to begin the solemn High Mass in honor of the Morenet with the presence of the festive and civil authorities. Mass sung and concelebrated by the Ontinyentine Priestly Brotherhood, in which the Mass composed in 1917 by the distinguished musician of the town Rafael Martínez Valls is performed.
ROUTE: SQUARE SANT DOMINGO, MORERETA, SAN JOSÉ, DOS DE MAIG, GLORIETA DELS MOROS I CRISTIANS, GOMIS, MAYANS (to ROYAL PARISH OF SANT CARLES)
When the sun is still high and its heat, dry, floods everything, the Solemn Procession begins in which the twenty-four troupes, led by the Moorish side, will accompany the Morenet through the streets of the city until it is returned, again, to the church of San Carlos.
As its name suggests, the comparsas wear, this morning their gala dress. The music bands perform processional marches – expressly written for the religious acts of the Moors and Christians festival.
Here we also find a uniqueness with regard to other towns; usually in processions they march in a row on each of the street; in Ontinyent this is done on all other processions that take place throughout the year; except those that take place on Saturday and Sunday of this fiesta; in these two processions they form a line across the street – logically without a leader – taking their lead from the beat played by the musical band.
People have brought their chairs and filled the pavements; there is no room for a soul in the side streets; no one wants to miss the passage of the Morenet. A multitude of restless fans are seen everywhere; seriousness and recollection; as the Anderos (pilgrims) pass carrying their sacred burden, the people stand up; their gazes fixed on the inert face of the Savior; a subtle movement of the lips makes us intuit a prayer; I see the fervor on people’s faces; their looks speak of faith; a tear runs down my face; two sharp blows of the river stone against the wood of the paso* and again the Anderos take up their load, directing their steps towards the church of San Carlos.
*A Paso is an elaborate float made for religious processions.
PLACE: Royal Parish of Sant Carles
In the vibrant context of the Moors and Christians festivities that animate the population of Ontinyent, the mass concelebrated by the Priestly Brotherhood of Ontinyent acquires transcendental importance. This religious act, held in the Royal Parish of San Carlos Borromeo, acquires a special resonance by paying homage to the Morenet, whose image presides over the ceremony.
The liturgy, enriched by the tangible presence of the Morenet, evokes an atmosphere of reverence and gratitude in the hearts of those present. In this sacred meeting, the bonds of faith and tradition that sustain the cultural fabric of Ontinyent are renewed, reminding the inhabitants of their commitment to keep alive the spiritual essence of the Moors and Christians festivities for generations to come.
ROUTE:
- Moorish side : Quarter of the Cantereria to the Plaza Mayor
- Christian side: Bridge of Santa Maria (Avda. Diputación) to the Plaza Mayor
SITE: Major square
We have reached the last day of the festivities; today the festeros have not gotten up early; the troupes had a quiet lunch; They put a towel around their necks, put on a glove and took the arquebuses and went to the start the event.
At eleven o’clock in the morning the twelve troupes of the Moorish side, led by their captain, ambassador and standard-bearer, meet at the Lavadero de la Canterería and preceded by the flags of each of them, their triggers are ready to begin their thunderous walk; they will cross the Pont Vell -Old Bridge and go up the Plaça de Baix and cross the Porxet until they reach the castle of Ontinyent, where the flag of the Cross flies.
At the same time, the Christian army began its journey, encamped in the northern area of the Santa María bridge, who will do the same, crossing the aforementioned bridge, and going down the Regall, to meet the Moor at the foot of the fortress.
The sound of a trumpet silences the arquebuses; a Moorish rider crosses the square at high speed; at the foot of the castle he gives the sentinel a parchment urging the surrender of the town; The Christian captain reads it to himself and, publicly, tears it up to the general hubbub and the messanger leaves the square. The Christian sentinel, from the battlements, makes the introduction to the embassy, ending with some beautiful verses, as well as a declaration of intentions, that Cervino wrote one hundred and sixty-four years ago:
((Talking to the town of Ontinyent)
Come today to see how in joyful mockery,
Remembering the courage of our fathers,
Some of us are Christians, others Moors,
And all to love you, Oh fatherland, equally!)
The sound of trumpets announces the entry into the square of the Moorish ambassador, who is accompanied by the captain and the standard-bearer, all of them on horseback, followed by a brilliant escort.
The Moorish ambassador tries persuade, through words, the Christian captain to give him the town.
First he tries with reasons that show that the castle belongs to him;
then he offers pacts and gifts;
finally he resorts to fear and threat.
None of the attempts help him to achieve the desired end and, as it could not be otherwise, it is the weapons that put an end to the conflict.
The arquebuses spit fire, while captains and ambassadors engage in knife combat.
The victory went to the Moorish side, which deposited the flag of the Half Moon on the battlements of the castle.
This event was declared an asset of intangible cultural interest, by DECREE 4/2019, of 18 January, of the Council. The declaration is inscribed in the First Section of the General Inventory of Valencian Cultural Heritage.
ROUTE:
- Moorish side : Bridge of Santa Maria (Avda. Diputación) to the Major square
- Christian side: Quarter of the Cantereria to the Major square
SITE: Major square
It is Monday afternoon. All of us, in our respective troupes, have enjoyed tasting a good plate of paella and local melon; all seasoned with the delights of friends The Moorish and Christian marches and musical bands.
The same thing happens as in the morning, but with the roles reversed: the Christian side is encamped in the Cantereria, the Moor on the bridge of Santa María and the castle in the hands of the Moors.
At five o’clock in the afternoon, from their positions, the captains of both sides fire, in unison, their arquebuses; it is the signal that the act of shooting begins; The answer is immediate: hundreds of arquebuses speak at the same time and their voices announce the proximity of the Christian embassy.
As in the morning, the sequences are repeated: the trumpet asks for silence; the courier makes his ride; the Moorish captain makes the parchment into a thousand pieces;… the Christian ambassador harangues his troops; and, as he advances towards the castle, alone, at a convenient distance from his escort, he talks to himself, remembering his childhood in these very walls that he now intends to conquer; and remembers his mother, his prayers,… he speaks to those stones that were his city; He gets excited, he excites us.
The Ambassador offers, challenges and, finally struggles. The outcome is written: the town of Ontinyent is Christian again.
In Ontinyent, in the past, the ambassadors were former officers; that is: it was always the same people who declaimed the embassies; however, forty years ago that changed, now every year the people who recite Cervino’s texts are different
Although the content of the dialogue is always the same each ambassador uses their own the timbre of voice, the way of joining the words, the intonation, the pauses and their silences, the gestures to put a new emphasis and life on the embassy and making us attend every year.
Route: Major Square, Mayans, Gomis, Square of La Concepción
After the embassy of the Christian, the president of the Society of Festeros, together with captains, ambassadors and standard-bearers direct their steps towards the tribune placed for this purpose in the Plaza Concepción. The twenty-four comparsas -with the Moorish side at the head-, parade before them: greetings, farewells, hugs, tears: the Festivities are over.
PLACE: Royal Parish of Sant Carles
For nine consecutive days, Ontinyent immerses itself in a moment of reflection and intimacy when celebrating the solemn novena in honor of the Holy Christ of the Agony. In the Royal Parish of San Carlos Borromeo, a mass is celebrated every day followed by a sermon that invites reflection on the values of solidarity and compassion that the Christ of the Agony represents for the city. The novena offers a space to find comfort and renew a sense of community, inspiring people to commit to the well-being of others.
SITE: Festeros Society Halls
The final party dinner is held at ten o’clock at night in the casino of the Societat de Festeros with the attendance of the Captains, Ambassadors, Flag Bearers, First Trons and the Town Crier of the Festival. During this event, the appointment of the Fester Exemplar takes place.
As the night progresses and between lively conversations, the music band sets the mood for dinner with their melodies. Once the dinner is over, the parchments are delivered to the winners of the Competition of Leaders of Squadra and squadrons, both from the Moorish and Christian sides. The accrediting diplomas are also given to the winners of the Special Squad Competition on the day of the Entry, and the work is recognized to those who knew how to guard our castle with dedication and devotion, giving the corresponding accrediting diploma to both the Christian sentinel and the Moor. Also, the Society’s silver badges are imposed on members who, for a full three-year term, have served on the Governing Board of the Society of Festers.
After the delivery of all the recognitions and distinctions, it is the turn of the final speeches. The town crier of the Festivities inaugurates the round of words, followed by the Christian Captain and the Moorish Captain, who share their experiences with passion and fervour. The event ended with the words of the President of the Society and the Mayor of Ontinyent.
ROUTE: Royal Parish of Sant Carlos to La Concepción Square
The Great Popular Dance of Moors and Christians of Ontinyent is an event that celebrates the rich tradition of Valencian dances in a festive and community atmosphere. During this celebration, participants wear traditional costumes while dancing to the rhythm of the music, touring Mayans and Gomis streets ending in the Plaza de la Concepción, where all the dancers unite around the music, turning to the beat of traditional melodies.
PLACE: Royal parish of Sant Carles
The Governing Boards of the Association of Festivities of the Immaculate Conception and the Society of Festeros of the Holy Christ of the Agony, members, festeros and festeras, will depart from the Society of Festeros and will move to the Royal Parish of San Carlos to attend the double mass that the Society of Festeros of the Holy Christ of the Agony and the Board of Festivities of the Immaculate Conception, traditionally jointly dedicate on these dates to the Holy Christ of the Agony, Patron Saint of the Moors and Christians Festivities of Ontinyent.
ROUTE: Royal Parish of San Carlos, Gomis, Plaza de La Concepción, Pont Nou, Av. San Francisco, Hermitage of Santa Ana
It is Sunday; a fortnight ago we lowered his sacred image to the parish church of San Carlos. The bells announce that it is seven o’clock in the evening; the music band begins to mark the first chords of the Spanish anthem; the Anderos, not without effort, cross the portal of the church together with the Morenet, they are already in the street; The procession has begun.
Two very long rows of faithful flank the itinerary; barefoot people; promises; all together, accompanying Christ in his Sovereign Agony, to his hermitage at the foot of the mountain, where he will remain until the beginning of the next feast.
Last night all the comparsas held their Ordinary General Assembly, although we all call it Creuà -crusade-. But no, this creuà has absolutely nothing to do with the expeditions that the Church sent against the Moors in the Middle Ages. In Valencian -our language- we use the expression creu i ratlla -cross and stripe- to indicate the end of one stage and the beginning of the next. And, also, some time ago, the quotas that each festero contributed to his comparsa, the treasurer or “quoter” was writing down the payments on account in one, making the note in the file that he had of each festero and in the card that was in the possession of the festero himself. This action was called – translated into Spanish – “quotar a la raya”. Also in those times of shortages, people bought in stores and it was common to pay off the debt little by little -at a time-. Today the comparsas issue receipts to their members through banks and savings banks. Obviously, this is more modern, easier and more comfortable for the people in charge of the finances of the comparsa and also for the comparsa himself, but -obviously also- before the fact of having to go to quote was a perfect excuse to go every Saturday or Sunday to the comparsa, have a soft drink or a barralet and talk with friends.
In the Creuà accounts are given of everything that happened in the festive exercise, that is: from the creuà of the previous year to date; everything that has been done is reviewed, its pros, its cons and its possible improvements; the economic accounts are approved; people who end up in their positions are fired and those who are going to occupy them are welcomed. The festivities are over, but the next ones begins; there is no truce. The Phoenix is reborn from its ashes.
When the Christ arrives at the hermitage, the wide esplanade is full of people; the Image stops at the door; the religious advisor of the Society of Festeros -and parish priest of the church of San Carlos-, from the pulpit outside the hermitage, has a few words of reflection on the festivities that have ended and on those that at that precise moment begin; the public draw is made for the llumeners (lights) / Anderos (pilgrims) who next year will have the honor of carrying the paso of Christ in this same procession of the ascent to the hermitage; we sang the hymn to the Holy Christ of Agony; a fireworks display is set off; the band sounds and the Christ is entered into the hermitage and deposited on its altar.
The new festivities have just begun.
